This is the first of two short articles based on the papers of a former CIA officer Edward Ellis Smith (1921-1982) deposited in the Hoover Institution Library and Archives at Stanford University.[1] The aim of each article is to document an obscure or previously unknown aspect of Smith’s enigmatic life trajectory and, in this way, shed more light on the murky world of Cold War secret intelligence. Taken together, the articles will provide a more complete biographical portrait of Smith than previously available in print.[2]
Introduction
In the late 1950s, Edward Ellis Smith, a former CIA officer who served in the U.S. Embassy in Moscow, moved from Washington, DC to San Francisco, California. At the time of his move, Smith was employed as an “analyst and contract employee on Soviet affairs” by the CIA-funded Joint Publication Research Service operating out of the U.S. Department of Commerce.[3]
Soon afterwards, while residing at 753 Bush Street, just two blocks away from San Francisco’s famed Union Square, Smith wrote an outline for an espionage movie script which was never completed.[4] In the section below, I provide a detailed discussion and analysis of Smith’s outline, linking it to the documented events in the history of CIA operations. This is the first time Smith’s movie script is discussed in a public forum.
The Spy Movie That Never Was
There are two main protagonists in Smith’s spy movie script and, just like him, they were both World War Two veterans and U.S. intelligence officers. However, while Smith served as an infantry officer in Europe in 1944 and 1945, the two fictional veterans were Navy PT boat officers in the Pacific. At the beginning of the plot, Lieutenant Sherman [no first name given] is a 30-year old student of diplomacy at Georgetown, while Lieutenant Commander Terrence Riddle is a 35-year old professor of Russian history at the University of Virginia. Given Smith’s biography, it seems evident that Sherman rather than Riddle was much closer to being the representation of his alter ego. It is also likely that Riddle had a real life equivalent, perhaps an older colleague of Smith’s from the CIA.
The film’s opening is set in the early 1950s during the Korean war. Sherman and Riddle are recalled to active duty in the Special Operations unit of the U.S. Pacific Fleet stationed in Yokosuka, Japan. Their task is to transport trained South Korean volunteers to North Korea for infiltration and sabotage. One night their PT boat is attacked and capsized. Riddle is wounded but somehow reaches the shore where he is arrested by Chinese soldiers. Sherman, on the other hand, is successfully rescued.
Riddle is interrogated by Chinese counterintelligence and when his captors learn of his Russian language skills and expertise [Smith does not explain how], he is surrendered to Soviet intelligence. The Soviets transport him to the state security headquarters at Lubyanka in Moscow where he is subjected to further and, apparently, more brutal interrogation. He eventually breaks down - in Smith’s words, “interrogated, beaten, half dead, [Riddle] finally confesses to espionage” - and is sentenced to 25 years of hard labor in Siberia.
However, the year is 1953 and Stalin’s death in March leads to radical changes in the Gulag labor camp system. Thousands of camp inmates are released and there are massive riots among those who remain behind the barbed wire. Riddle uses the chaotic situation to escape.
In the style of Alexander Dumas’ Count of Monte Cristo, Smith had an elderly prisoner give Riddle some gold coins before dying in the camp. Now on the run from Beria’s counterintelligence, these coins make it possible for Riddle to acquire the identification papers of a deceased person of Jewish ethnicity who was registered as a manual laborer in Moscow.
Riddle then moves to Moscow but is unable to approach any U.S. diplomats, or even the building of the U.S. Embassy, in fear of being caught by Soviet state security and sent back to Siberia or worse. Incredibly, Smith wrote that this state of affairs lasted for several years. Riddle resigns himself to his fate (and manual labor, which must have been especially difficult for a former professor), but resolves to attend the opening night of the Red Army Choir at the Moscow Conservatory every year hoping to encounter somebody from the U.S. Embassy.
In 1959, this finally happened. And it’s not just anybody that Riddle saw at the Conservatory but his old comrade-in-arms Sherman. After the end of the Korean war, Sherman had returned to the U.S. and, for some reason, perhaps to make the plot more melodramatic, Smith had him marry Riddle’s “widow.” Sherman then left the Navy, joined the State Department, and was sent to a diplomatic post in Moscow, bringing his wife with him. Though they were both together that night at the Conservatory, Smith only had Sherman notice and later communicate with Riddle. In fact, the wife never learned that Riddle was still alive.
It is at this point that the plot of the movie seems to come closest to reflecting real life events. According to the accounts of several CIA veterans,[5] Smith was sent to Moscow by the CIA in 1954 to provide the conditions necessary for the uninterrupted clandestine communication with the CIA’s first agent-in-place, GRU Lieutenant Colonel Pyotr Popov.[6] The consensus of the CIA memoirists is that Smith was not up to the task. Smith’s CIA colleagues Peer de Silva and Tennent ‘Pete’ Bagley wrote that Smith was compromised by the KGB in a sex trap. They claimed that he had an extra-marital affair with his Russian maid, was secretly photographed in corpus delicti, and blackmailed by the KGB.
Bagley even believed that the KGB’s blackmail operation was successful and that Smith betrayed CIA’s secrets. However, he provided no evidence for his claim, basing it on the enigmatic posting of two high-level KGB counterintelligence officers to the U.S. in the late 1950s (reported to the CIA by the KGB defector Anatoly Golitsyn) and his post-Cold War conversations with KGB General Sergei Kondrashev, a former top official of Soviet intelligence.[7]
On the other hand, as expected, Smith vehemently rejected the claim that he was ever recruited by the KGB and was particularly incensed at the way his work for the CIA was portrayed in de Silva’s posthumous memoir published in 1978. In a letter to his friend and confidant Joseph D. Douglas, Jr., a specialist on Soviet military strategy who later authored Red Cocaine: The Drugging of America and the West (1999) and Betrayed (2002), Smith wrote that de Silva’s memoir was “garbage [that] among other things serves to obfuscate the truth, of which we have so little.”[8] He also stated his suspicions that de Silva was assisted by other unnamed CIA officers in putting the memoir together. Referring to the CIA as “the Pickle Factory,” Smith told Douglas that he believed that “the Pickle Factory censors did their ‘thing’ on the books [sic] before publication.” He also seemed to threaten to file a lawsuit against the CIA: “What ‘they’ and Peer did in ‘blowing’ me (assuming, weakly, that the KGB did not already know my real status), is unconscionable and borders on the criminal - something, I will explore, of course, in due course.”[9]
And yet, notwithstanding Smith’s angered protests, his movie script contained a subplot involving Sherman’s sexual affair with his maid described as a KGB agent. While Smith described the maid’s motivation (she was blackmailed by the KGB due to her father’s involvement in anti-Soviet politics in the U.S.), he remained strangely silent on Sherman’s own motives. He did not explain what led Sherman to violate the terms of his employment, trample upon the loyalty to his country, and cheat on his wife. Even if Sherman ultimately remained firm in the face of the KGB blackmail attempt, why did he let himself end up in this situation in the first place? Was it sexual passion, stupidity, or self-destructiveness? Smith seems unwilling to delve into these issues in the script, which makes him not only an inept writer of fiction (and is perhaps one of the reasons the script was never completed), but might also indicate the existence of a repressed guilty feeling about what happened in Moscow.
In addition, just as Smith may have endangered Popov with his incompetent tradecraft, Sherman bungled the operation to rescue Riddle in the script. The exfiltration plan, approved by the national security leadership in Washington, DC, involved covertly passing to Riddle the money necessary to bribe his exit out of the Soviet Union. The money transfer was supposed to take place on a bus going over the Crimean Bridge in Moscow (hence the title). However, due to Sherman’s inattention to the presence of undercover KGB counterintelligence officers on the bus, both he and Riddle got arrested. Because Sherman had diplomatic immunity, he was soon released but was expelled from the Soviet Union as a persona non grata. Riddle was not so lucky. He was dispatched to the Gulag for (another) 25 years.
It is evident that the bus scene repeats almost exactly the arrest of Pyotr Popov and Russell Langelle, Smith’s CIA successor in the U.S. Embassy in Moscow. Popov’s and Langelle’s arrest took place in October 1959, and Smith dated his script “Winter, 1959” which indicates that it was written shortly after the real life events. It is likely that by having this scene in the film, Smith wanted to signal his own connection to Popov. In any case, at the time he completed the script, Smith could not have known about the ultimate fate of Popov who was put on trial and, according to the official account, executed in 1960.
There was a lot of self-scrutiny and introspection in the CIA after the loss of Popov. However, Smith seemed not to be overly concerned about that in the script. He appeared to care more about exacting his revenge on the maid. The final scene had her sentenced to a prison camp in Siberia for failing to recruit Sherman. He obviously wanted the script to vindicate his version of the events. However, there is nothing in his papers to suggest that he wrote anything beyond the outline. It appears that he decided that writing spy film scripts (and spy fiction in general) was not for him. In 1960, he enrolled as a graduate student in the Political Science Department at Stanford and began researching the files of the Tsarist secret police [Okhrana] at the Hoover Library and Archives. But that’s another story.
NOTES
[1] See
“Inventory of the Edward Ellis Smith Papers,” Hoover Institution Library and Archives, https://oac.cdlib.org/findaid/ark:/13030/kt8p303667/entire_text/ (12 manuscript boxes). Accessed on May 10, 2024.
[2] For
the most detailed published presentation of Smith’s biography, see Richard
Harris Smith, “The First Moscow Station: An Espionage Footnote to Cold War
History,” International Journal of
Intelligence and CounterIntelligence 3:3 (1989), 333-346. However, due to
the opposition from the State Department, the first official CIA Station in
Moscow was not set up by Edward Ellis Smith in 1954 but by Paul Garbler in
1961.
[3] “List
of Employment, 1950-1962,” The Edward
Ellis Smith Papers, Folder 24, Box 7, Hoover Institution Library and
Archives. I gratefully acknowledge the Hoover Institution Library &
Archives as an essential resource in the development of these materials. The
views expressed in this publication are entirely my own and do not necessarily
reflect the views of the fellows, staff, or Board of Overseers of the Hoover
Institution.
[4] “Riddle of the Crimean Bridge,” The Edward Ellis Smith Papers, Folder 14, Box 11, Hoover Institution Library and Archives.
[5] See,
for instance, Peer de Silva. Sub Rosa:
The CIA and the Uses of Intelligence (1978); William Hood, Mole: The True Story of the First Russian
Intelligence Officer Recruited by the CIA (1982, 1993); Tennent H. Bagley, Spy Wars: Moles, Mysteries, and Deadly Games
(2007); David E. Murphy, Sergei A. Kondrashev, and George Bailey, Battleground Berlin: CIA v. KGB in the Cold
War (1997); John Limond Hart, The
CIA’s Russians (2003); and Clarence Ashley, CIA Spymaster: George Kisevalter, the Agency’s Top Case Officer Who
Handled Penkovsky and Popov (2004).
[6] I
have already written on the Popov case from another angle. See Filip
Kovacevic, “A New Twist in the Old Case:
A Document from the Lithuanian KGB Archive and the Cold War Espionage of GRU
Officer Pyotr Popov,” Sources & Methods: A Blog of the Wilson
Center’s History and Public Policy Program, April 28, 2022, https://www.wilsoncenter.org/blog-post/new-twist-old-case-document-lithuanian-kgb-archive-and-cold-war-espionage-gru-officer. Accessed on May 14, 2024.
[7] Tennent
H. Bagley. Spymaster: Startling Cold War
Revelations of a Soviet KGB Chief. New York: Skyhorse Publishing, 2015,
208-209. Bagley also provided a reference to a Russian language publication on
the history of Soviet Intelligence. However, the publication in question -
Aleksandr Kolpakidi and Dmitry Prokhorov.
Внешняя разведка России [Russian Foreign Intelligence]. Moscow: Olma Press,
2001 - selectively restated the information taken from U.S. sources. It added
nothing new to the understanding of the case. See also Aleksandr Kolpakidi and
Dmitry Prokhorov. Дело Ханссена. “Кроты”
в США [The Hanssen Case. “Moles” in the U.S.]. Moscow: Olma Media, 2002,
129-131 (in the e-book).
[8] “A
Letter to Joseph D. Douglas, Jr.,” January 13, 1982, The Edward Ellis Smith Papers, Folder 18, Box 7, Hoover Institution
Library and Archives.
[9] Ibid.
